JON SHERMAN IS used to giving presentations about wallcoverings, but this time would be different: The audience would consist entirely of children, some as young as 8.
Sherman, founder of Brooklyn-based wallcovering specialist Flavor Paper, was an eager volunteer for the youth design workshop at Fresh Artists, a Philadelphia-area nonprofit. However, anyone who’s hosted kids on a print shop tour could probably relate to his initial apprehension. If you’re not a teacher, the idea of acting like one can be more appealing than the reality. But Fresh Artists had thought of that, and fears faded quickly when Sherman learned the students’ art teacher would be on-hand to assist every step of the way. “I basically had a translator,” he says.
Another difference from traditional youth engagement events was the focus on tangible results. Far from being bored, these 12 children (and their families) were “ecstatic” to see their designs translated into actual wallcoverings made on the latest wide-format digital printing equipment, Sherman recalls. “Watching them watch the prints come out for the first time … the awe in their faces at the process and the magic they were witnessing was really amazing.”
Fresh Artists has been doing programs like this for years. However, the large logo in the image above – which might be familiar to attendees of last month’s Printing United Expo – reveals something different about the wallpaper deep-dive: The children who participated became the first official members of Kids Who Print.
“Everywhere you look is pattern. It is achievable. Wallpaper is a touchable, knowable medium, and we have the equipment to produce it. To have lofty things that are beyond their ‘can’ — beyond their world — is far less engaging.” — Barbara Chandler Allen, Fresh Artists
The next step in Fresh Artists’ newest initiative is the kickoff of a turnkey shop-tour program for printers nationwide. Sourced in part through Fresh Artists’ expansive network of registered art teachers, groups of children will bring artwork to local printers as part of a real-world project in which they are essentially the “clients.” Designed to be minimal effort for the printers, the program aims to provide the kids with a similar experience as the wallcovering workshop this past August.
By the time this article is published, Fresh Artists likely will have found at least a few PSPs to help pilot the first Kids Who Print shop tours. Even newer wrapping and installation programs might have moved forward as well. Regardless, founder Barbara Chandler Allen says none of this would have been possible without ever-increasing support and recognition from the printing community (including this publication). “Kids Who Print is our way of giving back to an industry that has given us so much,” she says.
AdvertisementFresh Artists’ core mission is to empower children at severely underfunded schools through art and philanthropy. Allen and her son, Roger, founded the organization on the idea of decorating interiors with large, digitally printed replications of children’s artwork in exchange for donations to fund public school art programs. Other activities include hands-on “Design Labs” like Sherman’s wallpaper workshop. Rather than replicating curated art, these projects expose kids to potential career paths by inviting them to create real products for real clients under the tutelage of professional designers.
However, previous initiatives for introducing children to creative careers used print mostly as a vehicle – a means to an end. With Kids Who Print, printing is the career path.
This evolution in thinking has been years in the making. Various Design Labs, as well as other initiatives such as “Cool Jobs” career expos, have introduced students to experts in fields ranging from architecture to high-end office furniture. However, the most engaging projects tended to be focused heavily on printing. The reason why is simple: The kids can relate to it, Allen says. And with guidance, they can do it. “We’ve realized this is our DNA … the thing we should be putting our energy into,” Allen says.
Fresh Artists’ knowledge and capability as a printer – and by extension, a printing educator – also has expanded over the years. Allen credits support from industry manufacturers and organizations (particularly long-term partner Printing United Alliance) for fueling this expansion. In 2020, formal recognition with a Big Picture Women in Wide Format Award led to a critical “a-ha” moment – the sense that Fresh Artists had “made it” as a printer. This newfound validation fueled the confidence and the drive to give back that would eventually give rise to Kids Who Print. “That was the crucible,” Allen says.
New connections led Allen to Deborah Corn, creator of the “Girls Who Print” network of industry women. “What about ‘Kids Who Print?’” Allen recalls asking herself. “That’s what we do! I got up at 3 a.m., went to GoDaddy, bought the domain name, and we were in business.”
Allen met Sherman on Big Picture’s editorial advisory board, which she joined after winning the award. She thought the wallpaper expert would be an ideal candidate to help with one of Fresh Artists’ most ambitious projects to date: decorating the new Montgomery County Justice Center, a massive addition to the county courthouse in Norristown, Pennsylvania. Most of the project involves Fresh Artists’ traditional, standalone scale-ups of children’s art. However, Judge Daniel Clifford offered a more ambitious idea for his family court: Why not adorn this space – where families experience some of the most stressful and difficult moments of their lives – with colorful, repeating patterns?
The following three days were a cacophony of activity, ranging from “Rorschach” folding exercises with painted paper to exploration of patterns by cutting and rearranging geometric shapes. Judge Clifford was on-hand to watch, while Angel Georgiou, senior product marketing specialist at Canon, helped with the printing process. Three teachers from the Thomas Jefferson University’s Center for Excellence in Surface Imaging stopped by and invited the kids to visit their textile-focused digital printing department. To top it all off, the families of all twelve kids visited for the final unveiling of the wallpaper designs.
“It was all about opening their eyes to the possibility that this can be a job, and that it’s attainable. They all saw that it can come from a simple sketch that you can sell to fabric and wallpaper companies – that can be your business – and that surface design is a huge field with endless opportunities.” — Jon Sherman, Flavor Paper
AdvertisementAt the end of the lab, the 12 young artists became the first students to join Kids Who Print. At the time, the shop tours now coming into fruition had yet to be conceived. However, the justice center project provides a good example of what the experience will entail, and why it will work. Just ask Jon Sherman. “This was the kind of thing that will help a lot of print shops understand how they can help their communities,” he says.
Based on testimony from Sherman and Allen, the shop tours will replicate the workshop experience in the following ways:
Fresh Artists was founded on the idea that the refrigerator door doesn’t have to be the last stop for children’s artwork. However, another burgeoning Kids Who Print initiative is leading the organization to make an exception for community fridges, which philanthropists keep stocked with fresh food for use by anyone in need.
Known for now simply as “Refrigerator Wrappers,” this Kids Who Print pilot program aims to attract young teens to sustainable careers in wrapping and installation by designing, printing, and installing community refrigerator wraps. Like the shop tours and workshops, the program will provide access to professionals in the field. Ideally, it will help expose and explore pathways to enter the workforce “with credentials, experience, and an altruistic heart,” Allen says.
In addition to more in-house workshops focused on prototyping and printing, future ambitions for Kids Who Print include connections to paid summer internships for older teens. Whatever the future of this initiative, Fresh Artists sees plenty of opportunity not only to further its own mission, but also to give back.
For evidence of that, look no further than the pamphlet that came with the KWP-logo tote bags distributed at the recent Printing United Expo in Atlanta. “For several years, our friends at Printing United told us ‘our industry needs to cultivate the next generation of engaged and diverse employees,’” it reads. “We know the kids you need to know! And we’re designing a new program for PSPs as a thank you to the industry that’s been so supportive to us for 16-plus years.”
For more about Fresh Artists and Kids Who Print – including how you can help — visit kidswhoprint.org.
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AdvertisementMatt Danford joined Big Picture and Screen Printing magazines in January 2023. A graduate of Ohio University’s E.W. Scripps School of Journalism, he is a veteran trade journalist with deep experience covering transformative technologies and business strategies. As managing editor for both brands, Matt spends his days writing, editing, attending industry events, curating submitted content, and otherwise conveying knowledge and actionable insight to wide-format and screen printing professionals.
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