We asked six digital print specialists to respond to the current state of the industry and reveal what we should expect in 2017.

Big Picture: What are you seeing as the largest bottleneck in the printing process? What do you think manufacturers are doing to eliminate that congestion? What can shops do themselves?

Steve Urmano, Director of Wide Format, InfoTrends: is clearly the area that bottlenecks occur as cutting, trimming, and creating a finished product require this. Further to this, moving printed pieces on and off a cutting table and prepping a file take critical attention and require more skill than printing.

Mark Hanley, President, I.T. Strategies: There are fewer and fewer real bottlenecks these days as analog technology constantly improves; analog is often underestimated as a competitor to digital. The opening for digital is really the ability to match print content to fragmenting and fast-cycling consumer/user demand. That’s what analog cannot do in real time and is the heart of print value. Print technology development is part of this (the aqueous inkjet issues mentioned above, for example), but this also involves the print industry offering fully digital communication services based on data management, of which print may be the highest value component. But it also requires users and brand owners to adapt their supply chains to leverage this enhanced communication capability. That’s a major infrastructural issue not in the control of print providers.

Sean Smyth, Print Consultant, Smithers Pira: Printing is usually the simple bit. It’s the workflow, including administration of orders, that’s usually the bottleneck. Handling large numbers of low-value orders is a significant challenge to companies used to processing a few orders. They need to develop low-touch and no-touch systems for business process and prepress workflows, with high levels of automation widely available.

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Adrienne Palmer

Adrienne Palmer is the editor-in-chief of Big Picture and Screen Printing magazines. She joined Big Picture magazine in 2012 after graduating from Ohio University's E.W. Scripps School of Journalism with a BA in magazine journalism. During her time with Big Picture, she has held the roles of assistant editor, associate editor, and managing editor; she added sister publication Screen Printing magazine to her resume in 2019. She is a 2019 Folio: Top Woman in Media; spearheads Big Picture's annual Women in Wide Format Awards and Best of Wide Format Awards as well as Screen Printing's annual Women in Screen Printing Awards; is on the board of Printing United Alliance's Women in Print Alliance and the U.N.I.T.E. Together diversity and inclusion program; hosts the Screen Saver podcast; and represents the Big Picture and Screen Printing teams at numerous industry events year-round as a speaker, moderator, and panelist.

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